Music Criticism
Mozart: Sinfonia concertante in E flat Major, K 364
Throughout the performance, one of the main things that I noticed was the different moods and styles that were being portrayed for each movement and even for certain lines. For example the beginning of the second movement (andante) had an intriguing pulsing type of style that comes and goes throughout the movement. I also noticed that the whole orchestra follows the soloists very closely. There were a lot of passages throughout the performance where the two soloists had alternating parts where it seemed as if they were bouncing off one another, and although I don't really know how to describe it but it seemed very fluid and the conversation between the two was kept very smooth.
Throughout the performance, one of the main things that I noticed was the different moods and styles that were being portrayed for each movement and even for certain lines. For example the beginning of the second movement (andante) had an intriguing pulsing type of style that comes and goes throughout the movement. I also noticed that the whole orchestra follows the soloists very closely. There were a lot of passages throughout the performance where the two soloists had alternating parts where it seemed as if they were bouncing off one another, and although I don't really know how to describe it but it seemed very fluid and the conversation between the two was kept very smooth.